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	<title>Comments on: My Top Five Lists, by Joe the hoodlum</title>
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	<link>http://www.hoodlumsmusic.com/blog/2008/11/18/my-top-five-lists-by-joe-the-hoodlum/</link>
	<description>A neighborhood record store.  Independently-owned and operated.</description>
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		<title>By: Zach</title>
		<link>http://www.hoodlumsmusic.com/blog/2008/11/18/my-top-five-lists-by-joe-the-hoodlum/comment-page-1/#comment-445</link>
		<dc:creator>Zach</dc:creator>
		<pubDate>Sun, 14 Dec 2008 05:19:12 +0000</pubDate>
		<guid isPermaLink="false">http://www.hoodlumsmusic.com/blog/?p=552#comment-445</guid>
		<description>I agree and disagree on the mp3 thing.  The quality is crap, yes, and it&#039;s taken me a long time to break the habit of just listening to songs and not albums.  I&#039;ll always keep the classics on CD, and if there&#039;s something I hear in MP3 that is amazing, I&#039;ll buy it.  Plus, a lot of music isn&#039;t really available in a digital format yet, like Blue Note&#039;s more avant-garde albums, or John Adams.

The upside, though, is access.  There&#039;s really no possible way any of us can buy, or even listen to, all of the great music out there in the world.  The internet and MP3s have given us access to local music from all over the world.  Just the other day I came across a german producer named Torky Tork, who was giving a way a free album of what sounded like Madlib bumping qwawali samples.  Living here in uptown Phoenix, how else would I have heard that?

Plus there&#039;s the mixtapes and remixes.  Lil Wayne&#039;s Da Drought 3 is ten times better than anything of his you can find in a store and the Esau Mwamwaya &amp; Radioclit are the Very Best mixtape could be one of the best albums of the year.  Right now I&#039;m listening to a superb Flying Lotus BBC mix full of stuff like Alice Coltrane and Manhattan Transfer.

Sure, none of this is probably as good as Young Liars, or Yoshimi Battles the Pink Robots, or any other of the discs I&#039;ve picked up at Hoodlums over the years, and any album that sounds good on my computer sounds frickin amazing on vinyl, I know, but I wouldn&#039;t trade our newer digital connections for anything.  Sure, my attention span is shorter now than it used to be, so I have to force myself to slow down and listen to the great albums over and over again, which is a pretty amazing problem to have, don&#039;t you think?</description>
		<content:encoded><![CDATA[<p>I agree and disagree on the mp3 thing.  The quality is crap, yes, and it&#8217;s taken me a long time to break the habit of just listening to songs and not albums.  I&#8217;ll always keep the classics on CD, and if there&#8217;s something I hear in MP3 that is amazing, I&#8217;ll buy it.  Plus, a lot of music isn&#8217;t really available in a digital format yet, like Blue Note&#8217;s more avant-garde albums, or John Adams.</p>
<p>The upside, though, is access.  There&#8217;s really no possible way any of us can buy, or even listen to, all of the great music out there in the world.  The internet and MP3s have given us access to local music from all over the world.  Just the other day I came across a german producer named Torky Tork, who was giving a way a free album of what sounded like Madlib bumping qwawali samples.  Living here in uptown Phoenix, how else would I have heard that?</p>
<p>Plus there&#8217;s the mixtapes and remixes.  Lil Wayne&#8217;s Da Drought 3 is ten times better than anything of his you can find in a store and the Esau Mwamwaya &amp; Radioclit are the Very Best mixtape could be one of the best albums of the year.  Right now I&#8217;m listening to a superb Flying Lotus BBC mix full of stuff like Alice Coltrane and Manhattan Transfer.</p>
<p>Sure, none of this is probably as good as Young Liars, or Yoshimi Battles the Pink Robots, or any other of the discs I&#8217;ve picked up at Hoodlums over the years, and any album that sounds good on my computer sounds frickin amazing on vinyl, I know, but I wouldn&#8217;t trade our newer digital connections for anything.  Sure, my attention span is shorter now than it used to be, so I have to force myself to slow down and listen to the great albums over and over again, which is a pretty amazing problem to have, don&#8217;t you think?</p>
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		<title>By: Mark McKeever</title>
		<link>http://www.hoodlumsmusic.com/blog/2008/11/18/my-top-five-lists-by-joe-the-hoodlum/comment-page-1/#comment-405</link>
		<dc:creator>Mark McKeever</dc:creator>
		<pubDate>Mon, 08 Dec 2008 21:10:29 +0000</pubDate>
		<guid isPermaLink="false">http://www.hoodlumsmusic.com/blog/?p=552#comment-405</guid>
		<description>I whole-heartedly agree with your comments about Guitar Hero.  Kids would be much better off buying a real guitar than investing a bunch of time to learn how master pretend guitar.  You wouldn&#039;t catch Jimmy Page playing a crappy plastic video game guitar so why should some kid?

And a cheesy little amp
With a sign on the front said
&quot;Fender Champ&quot;
And a second-hand guitar
It was a Stratocaster with a whammy bar

So in sympathy with your just criticism of Guitar Hero, I offer up my Top 5 Unknown Guitar Heroes that have great bodies of recorded work but few readers will have ever heard of before...

Robben Ford - A super tasty, jazzy blues guitarist with incredible note selection.  His music is very accessible for a blue fan.  Either a Handful of Blues or Mystic Mile would be a good place to start.

Danny Gatton - The king of the unknowns.  Redneck jazz meets Sun Records played with impossible chops.  The Hot Rod Guitar: Anthology is the most sensible place to start even though it is a double set.

Mike Keneally - He cut his teeth with Zappa and took it from there.  Scary ridiculous chops.  His music is diverse and challenging so you need to work with it but there are unparalleled rewards for those who make the investment.  Guitar Therapy Live, Dog, Dancing or Hat makes for a good introduction.

Sonny Landreth - A slide wizard that conjures up amazing music with his approach to the guitar.  His Cajun-fried blues is very accessible.  Grant Street, Levee Town or South of I-10 are good albums for getting acquainted.

John Scofield â€“ Actually any jazz enthusiast would have heard of him but to the uninitiated masses he is pretty obscure.  He is a terrific player with a wonderful imagination that managed to cut an album every year for about three decades without repeating himself.  Cool albums to check out include A Go Go, Groove Elation, Works for Me and Blue Matter.</description>
		<content:encoded><![CDATA[<p>I whole-heartedly agree with your comments about Guitar Hero.  Kids would be much better off buying a real guitar than investing a bunch of time to learn how master pretend guitar.  You wouldn&#8217;t catch Jimmy Page playing a crappy plastic video game guitar so why should some kid?</p>
<p>And a cheesy little amp<br />
With a sign on the front said<br />
&#8220;Fender Champ&#8221;<br />
And a second-hand guitar<br />
It was a Stratocaster with a whammy bar</p>
<p>So in sympathy with your just criticism of Guitar Hero, I offer up my Top 5 Unknown Guitar Heroes that have great bodies of recorded work but few readers will have ever heard of before&#8230;</p>
<p>Robben Ford &#8211; A super tasty, jazzy blues guitarist with incredible note selection.  His music is very accessible for a blue fan.  Either a Handful of Blues or Mystic Mile would be a good place to start.</p>
<p>Danny Gatton &#8211; The king of the unknowns.  Redneck jazz meets Sun Records played with impossible chops.  The Hot Rod Guitar: Anthology is the most sensible place to start even though it is a double set.</p>
<p>Mike Keneally &#8211; He cut his teeth with Zappa and took it from there.  Scary ridiculous chops.  His music is diverse and challenging so you need to work with it but there are unparalleled rewards for those who make the investment.  Guitar Therapy Live, Dog, Dancing or Hat makes for a good introduction.</p>
<p>Sonny Landreth &#8211; A slide wizard that conjures up amazing music with his approach to the guitar.  His Cajun-fried blues is very accessible.  Grant Street, Levee Town or South of I-10 are good albums for getting acquainted.</p>
<p>John Scofield â€“ Actually any jazz enthusiast would have heard of him but to the uninitiated masses he is pretty obscure.  He is a terrific player with a wonderful imagination that managed to cut an album every year for about three decades without repeating himself.  Cool albums to check out include A Go Go, Groove Elation, Works for Me and Blue Matter.</p>
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	<item>
		<title>By: sari</title>
		<link>http://www.hoodlumsmusic.com/blog/2008/11/18/my-top-five-lists-by-joe-the-hoodlum/comment-page-1/#comment-374</link>
		<dc:creator>sari</dc:creator>
		<pubDate>Fri, 05 Dec 2008 00:30:06 +0000</pubDate>
		<guid isPermaLink="false">http://www.hoodlumsmusic.com/blog/?p=552#comment-374</guid>
		<description>I think Daryl Hall is pretty awesome.  I will admit it.</description>
		<content:encoded><![CDATA[<p>I think Daryl Hall is pretty awesome.  I will admit it.</p>
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	<item>
		<title>By: Hoodlums Music and Movies &#187; Blog Archive &#187; Top Five Lists from the hoodlums at Hoodlums</title>
		<link>http://www.hoodlumsmusic.com/blog/2008/11/18/my-top-five-lists-by-joe-the-hoodlum/comment-page-1/#comment-264</link>
		<dc:creator>Hoodlums Music and Movies &#187; Blog Archive &#187; Top Five Lists from the hoodlums at Hoodlums</dc:creator>
		<pubDate>Tue, 18 Nov 2008 18:58:23 +0000</pubDate>
		<guid isPermaLink="false">http://www.hoodlumsmusic.com/blog/?p=552#comment-264</guid>
		<description>[...] Joe&#8217;s Top 5 Lists [...]</description>
		<content:encoded><![CDATA[<p>[...] Joe&#8217;s Top 5 Lists [...]</p>
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