Wow, search try 2011 was a great year for music. I can’t remember a year when I had this tough of a time making up my Top 10 Albums list (of course, seek one Top 10 list could not contain me, so like any good \”Best of\” issue, I made up a few of my own categories).\n\nWe do these lists to share our love of music… which is pretty much the reason we opened a record store in the first place. The reason we are still here sharing thirteen years later is because you, and thousands of other music, movie, and art fans, have supported us by purchasing your favorite albums at Hoodlums.\n\nThe depth of our appreciation for this support cannot truly be expressed. Thanks.\n\nNow, without further rambling, my Top 10 lists for 2011 (in no particular order).\n\nSteve’s Top Ten Albums of 2011\n\nDecemberists – King is Dead\nDanger Mouse and Daniele Luppi – Rome\nCharles Bradley – No Time for Dreaming\nJason Isbell and the 400 Unit – Here We Rest\nSharon Jones & Dap-Kings – Soul Time\nRaphael Saadiq – Stone Rollin’\nMergence – Those Vibrant Young People Are Dead\nBlack Keys – El Camino\nJC Brooks and Uptown Sound – Want More\nWarren Haynes – Rivers Gonna Rise\n\nTen More 2011 Albums That I Really Dig\n\nCults – Cults\nFoo Fighters – Wasting Light\nVaccines – What Did You Expect From the Vaccines?\nDawes – Nothing is Wrong\nRyan Adams – Ashes and Fire\nKooks – Junk of the Heart\nMy Morning Jacket – Circuital\nTedeschi Trucks Band – Revelator\nSteve Cropper – Dedicated\nSteve Miller Band – Let Your Hair Down\n\nFive 2011 Records Andy & Kristian are playing into my collection\n\nCity and Colour – Little Hell\nBig Talk – Big Talk\nGary Clark Jr. – Bright Lights EP\nDead Man Winter – Bright Lights\nJason Isbell and the 400 Unit – S/T\n\nTop Ten Rock Catalog Discoveries of 2011\n\nLaura Nyro – Smile\nLaura Nyro – Nested\nBig Star – #1 Record/Radio City\nAtlanta Rhythm Section – Live at the Savoy\nMarshall Tucker Band – Where We All Belong\nCountry Joe and the Fish – Electric Music for the Mind\nGraham Nash – Songs for Beginners\nJosh Rouse – Subtitulo\nElectric Light Orchestra – Face the Music\nNick Drake – Bryter Layter\n\nTop Ten Jazz/Blues/Soul Catalog Discoveries of 2011\n\nAretha Franklin – Aretha Now\nThe Meters – Rejuvenation\nWilson Pickett – Hey Jude\nLou Rawls – Soulin’\nBuddy Guy/Junior Wells – Drinkin’ TNT, Smokin’ Dynamite\nLuther Allison – Love Me Mama\nFreddie Hubbard – Blue Spirits\nBarbara Dane & Chambers Brothers – Smithsonian Archival Recordings\nJimmy Dawkins – Fast Fingers\nArt Blakey – Mosaic\n\nHappy New Year to you and your family.
Posts Tagged ‘From my collection..’
Just because I own a record store in 2011 doesn’t mean I walk the dog while listening to a Sony Walkman. I’m far from a technological luddite.\n\n\n\nIn fact, sales ampoule with my recent acquisition of my new iPhone, doctor you could say I am officially Apple’s cyberslave. I started with the initial 40 gig iPod, which was eventually replaced by my current 160 gig iPod classic (which I actually use to walk the dog). Then last year, I finally switched from PC to Mac (which allowed me to customize my rambling videos). Now the iPhone. As Kevin Bacon would say, \”Thank you sir, may I have another!\”\n\nIt goes beyond Apple. I’ve got a Sony 3D Blu-ray player that streams youtube, Pandora, Slacker (which I like better), and about eight zillion movies. The digital cable has umpteen music channels.\n\nIt’s awesome. Entertainment everywhere. It makes a guy wonder about the need for record stores, that’s for sure.\n\nSo why do I own one?\n\nObviously, it’s a question I’ve asked myself (and fielded from many of you) countless times over the past thirteen years, and continue to ask myself to this day. I know that I can listen to music from morning until night, and hear tons of great shit, without paying a cent outside of my phone and cable bills, which I already have to pay. So why not just go with the electronic flow?\n\n\n\nThe answer: I still personally like to own and have control of my music. Collecting CDs (and to a smaller extent, LPs) is my ultimate hobby.\n\nOur old partner, Lloyd, sent me a Spotify invite last month. So I logged on and created an account. I dialed up Paul Pena’s \”New Train\” as my first search, to see what sort of depth they had (it was the very first album we ever played at this store). While they didn’t have \”New Train\”, they did have an album I’ve never seen, his self-titled album. New Pena tracks? Cool.\n\nI started to listen to the album, and of course, it was tasty. But rather than rejoice at my new digital find, I immediately dialed up my distributor to see if it was available (it wasn’t… and I couldn’t even find evidence of it’s existence on Amazon or Ebay).\n\n\n\nBecause I want to OWN it. I want it to be mine. I want to know it’s in my collection, and that it isn’t going to disappear at the whim of some company or at the surge of some electrical current. I want to be able to make a ringtone out of it, or use it in a video. I want total control.\n\nYes, I want to have it on my computer, in my phone, and on my iPod… but unless I’ve got that original digital file (otherwise known as the CD) back there on the wall, in my collection, I don’t really feel like I really own it. Plus, I want to be able to listen to it in high quality at my house, at the store, and in my car.\n\nYou see, I’m not a \”casual\” music fan, like for instance, my lovely wife. Music has always been enormously important to me, and I take my collection very seriously. I generally listen to albums (in fact, I never just drag a song into one of my devices). I don’t (and have never) buy singles (unless it’s a rare song and that’s the only way to get it). I rarely rip a CD and then trade it. If I do, I feel like I made a decision to relegate whatever the album is to a lower status… an almost not-worthy status.\n\n\n\nI’m not saying that I’m personally down on casual fans. My wife loves her music very much. Nothing is more important than the amazing spiritual vibe music provides almost all of us, so to each their own. I’m just saying that’s not my way.\n\nSo while I’ve got the files to John Hammond’s \”Southern Fried\”, and I can listen to Lee Michael’s self-titled album on Spotify, but until I get the CD or LP, those two albums are not really mine.\n\nIn a nutshell, I’m a guy that needs a record store.\n\nLuckily, I still own one.\n\n \n\n \n\n \n\n \n\n \n\n \n\n \n\n \n\n \n\n \n\n \n\n \n\n \n\n \n\n \n\n
Changing Hands has asked me to come over and teach a class called \”Jazz for Beginners\”. I’ve decided to rename it \”How to Build Your Jazz Collection\”.\n\nLet me say first off that while I am a huge jazz fan, cialis try and while I have built a pretty decent collection over my twenty plus years in record stores, look there are undoubtedly thousands of people that know more about the genre. What I am saying is that I am not an expert. However, I do know a little… and I know what I like.\n\nSo essentially, if you are looking for a history of jazz, this isn’t the place. If you want to hear some pointers from a record store geek about getting into jazz and building a collection, read on.\n\nAs I was thinking about how to do this little seminar (which, by the way, takes place in about four hours), I decided that it would be best to follow the same logical progression as I would in the store when someone says \”I want to get into jazz… what do you recommend?\”.\n\nHere we go.\n\nAsk basic questions. The first thing to do is figure out what you do know by asking yourself some questions:\n
- What sort of jazz, if any, have you heard?
- Have you heard any specific jazz CDs or artists that you really liked?
- Are there certain instruments that you really like?
- Is there a tempo or style that you prefer?
- Is there any jazz you have heard that you don’t like?
- Do you like instrumental, or vocal, or both?
\nFollow the answers for a basic plan. So, you think you are a bebop fan and you really like the trumpet? That’s easy. Try some Dizzy. You don’t like it when jazz gets all \”crazy\”? Me neither… so free jazz may not be the place for you. Anyway, you get my point. You might think you don’t know much, but by taking an inventory of what you do know… you can get started down the right path.\n\nLook for affordable classics. If you’ve spent twelve seconds with me in the store, you know I love those getting a lot of bang for my buck with music. Luckily, there are lots of ways to do that in the jazz genre.\n\nFirst off, ask your local record store geek about cheap new classic jazz CDs. At the end of my rambling, I am going to list a few of my favorite classic jazz CDs that you can buy new for twelve bucks or less (and some stuff I am going to play today at CH). There are an amazing amount of deals. In fact, there are so many cheap classics out there, it becomes hard to recommend the more expensive contemporary jazz artists.\n\nSecond, buy used jazz. Thanks to the cool neighborhood we live in, and our penchant for the music, we have lots of used jazz CDs. They are cheap and guaranteed. Oh yeah, when you buy a used CD at Hoodlums… and you don’t like it… you have two weeks to exchange it.Â So try, try, try some jazz.\n\nFinally, think about investing in a turntable. If you want to talk about getting affordable classics in any genre, you can always find some great deals on vinyl. This is especially true if you don’t mind looking through our \”bargain basement\” used stuff.\n\nStart with the heavyweight champions of jazz. Coltrane, Miles, Bird, Louie, Billie. If you have heard of them, there’s probably a reason. So ask your questions, figure out what you like, do your homework, and then start obvious. You can get cooler and more diverse as you go. As it is, the classics are usually about as cool as cool comes anyway (I still listen to Miles Davis’ Kind of Blue as much as anything in my collection), and in most cases, they are cheap.\n\nFollow the artists that show up as sidemen. I always start people with Kind of Blue, because the guys who play on it are all heavyweight champs in their own right. Coltrane on tenor; Cannonball Adderley on Alto; Bill Evans on piano… even jazz rookies have heard of those guys. Once hear the sax boys soloing on that album, and you read the liner notes (which is essential on Kind of Blue), you are going to want to get Cannonball’s Somethin’ Else or Everybody Loves Bill Evans. The next thing you know – you’ve got a collection.\n\nTalk about jazz with geeks like me. The saying goes \”Don’t get Steve started\”. Unless, of course… you want to talk about it. Then, I can be a decent asset. I will play stuff for you… and ask tons of questions… and get to the bottom of your jazz needs. Then I will set you up. But I’m not the only one who can do it.Â Talk to Kristian, who is massively diverse in the ways of jazz. Talk to Joe, who can take you to the fringes of the jazz world (and probably teach a class in jazz history). Can’t make it to Hoodlums? Find the indie record store in your area\n\nDig deeper into the types of jazz you like best. Once you know you like something… get into it. I love that swingin’, hard-bop sound, so once I started listening to albums on the Blue Note label, I was hooked. I wrote another article about Blue Note (The Blue Note That Will Always Stay), so I won’t go into it… but my point is that when building a jazz collection, you should go with the flow.\n\nUse KJZZ andÂ the Internet to help expand your pallet. We love Blaze and the gang at 91.5 KJZZ. They play great jazz, including tons of new stuff and classics, and they do it every night. It’s a great place for enjoying jazz, as well as learning about it.\n\nWhen it comes to music on the internet, the first place I turn is allmusic.com. I get to the artist page, which includes bio, as well as links to similar artists, band members, and influences, and then I go to the discography for recommendations. Go ahead, try it for Herbie Hancock. While you won’t agree with everything their critics say, in my opinion they are usually right on (and generally positive).\n\nTrade in some of your unused stuff for some new jazz. Bring in your old CDs, DVDs, or vinyl. We’ll give you trade credit while you browse the jazz section, or look at the Penguin Guide to Jazz, or listen to some stuff on the used turntable or CD player.\n\nHave some fun. Wow, that’s the same thing I tell my Little Leaguers. C’mon… we’re talking about listening to music here, so it can’t be hard to do. Once you get into jazz – it can be pretty addicting.\n\nAnyway, that’s a start. Good luck.\n\nSteve’s List of Albums for Your New Jazz Collection\n\nSince I have already talked about Kind of Blue, and I wrote a full list of Blue Note titles in the blog, I’ll skip those on the list (but it is an amazing list of albums… so please check it out). Like the Blue Note titles, these are all twelve bucks or less on CD.\n\nJohn Coltrane. Giant Steps. (Atlantic). A long time ago when I was asking the questions, I asked one of my old jazz customers at the Wherehouse. I had enjoyed David Sanborn and some of the \”rock\” saxophone guys, and I wanted some \”real jazz\”, as I put it. He told me to start with Kind of Blue and this album. He was right on.\n\nJohn Coltrane. Love Supreme. (Impulse) Coltrane is good enough to warrant two picks. He pushed the envelope all the time, so different labels have different types of stuff. This one is his tribute to the creator.\n\nMiles Davis. Workin‘ (Prestige). If Coltrane deserves two; so does Miles. This is the famous Miles quintet, which includes Coltrane anyway.\n\nDave Brubeck. Time Out. (Columbia). You’ve probably heard this… especially the classic song \”Take Five\”. While obvious to jazz nuts, it’s essential to beginners.\n\nEddie McCann and Les Harris. Live at Montreaux. (Atlantic) Wicked, swingin’ jazz from a great band in a neutral country. Also mentioned in the Fine Art of Gutting Your Collection article. Read the great story on this album in 1,000 Recordings to Hear Before You Die (which we sell at the store).\n\nCharles Mingus. Ah Um. (Columbia). His first album for Columbia is full of modern jazz classics, and has inspired countless jazz musicians. Better Git it in Your Soul.\n\nLouis Armstrong and Ella Fitzgerald. Best of Louie and Ella. (Verve) Speaking of inspiring generations, when it comes to jazz, Louis Armstrong might be the all-time great, and Ella Fitzgerald isn’t far behind. There are tons of albums I could recommend for these two, but this little compilation is a place to start… and a good representation of their three albums together.\n\nVarious Artists. Blue Breakbeats Volume 1. (Blue Note) Yeah, I know I said I wasn’t going to re-cover Blue Note. But just in case you don’t want to go to the other blog, I wanted to say that if you want jammin’, movin’ jazz, Blue Note is the place. This is a fantastic compilation of artists from the label dubbed the \”most sampled\” of any in the land.\n\nWes Montgomery. Talkin’ Verve: The Roots of Acid Jazz (Verve) I love jazz guitar (see Grant Green ramblings on the Blue Note blog). I love Wes (who Grant emulated). This compilation (and other Talkin’ Verve comps) brings together his fast-paced, groovin’ best. Plus at 9.99, it is super affordable. Try his older stuff as well.\n\nCharlie Parker. The Essential Charlie Parker. (Verve). Bird is one of those dudes that revolutionized the genre. There’s so many great compilations and albums that it is hard to know where to start. This one is cheap and good, so let’s start here.\n\nThelonious Monk. Monk’s Music. (Fantasy). Great lineup. Amazing musician and composer. Killer album. Like all the artists on the list, it’s one of those \”where do you start\” situations when recommending.\n\nI’d like to include Oscar Peterson, Oliver Nelson, or Diana Krall, but their CDs are more than twelve bucks. I realize that I’m missing free jazzers like Sun Ra or Ornette Coleman, but that’s not really my specialty (again, try Joe and Kristian at the store), so while I own some titles, they aren’t \”favorite\” enough to include.\n\nLike I said, it’s just the affordable stuff I love… and even then I could keep going for quite a while. But I have to stop now, and get ready to teach a class. Have a great day.\n\nFeel free to hit me with questions in the store. Enjoy your collecting.